jlarinda:

WHY WOULD YOU POST THAT?!, I type furiously into the tags of the post I am about to reblog so I can share it with everyone who follows me

(vía countlessuntruths)

Junio 19 201312·10 am17 991 notas

satdeshret:

bear-in-a-groovy-sweater:

kickedfit:

big-to-beautiful:

70lbstothin:

find-greatness:

iron-khaleesi:

descepter:

The innovative Nike Studio Wrap Pack was designed to help you make the most of workouts typically done in bare feet, including Nike Training Club Toned, yoga, dance and barre. Made up of a wrap, a ribbon and a flat, this three-part footwear system combines a barefoot feel with protection, traction, support and style.

Now this is pretty fucking cute. 

Because nike.

Yessssss

But my toes will get dirty…

So pretty! I wish I did something where I needed these!

awesome. 

It depends on if the ball of the foot is rubberized or not. If it is, fuck doing much dancing in them, you wouldn’t be able to spin or turn very well.

(vía crystalzelda)

#*-*  
medievalpoc:

Unknown (formerly att. Johann Zoffany)
Dido Elizabeth Belle
Scotland (1779)
oil on canvas
Scone Palace, Perth (private collection of the Earl of Mansfield)
Although this painting falls outside the usual scope of this blog, it is one of my favorite historical European paintings. Dido Elizabeth Belle was the illegitimate daughter of Admiral Sir John Lindsay and enslaved African woman named Belle.
This painting was most likely commissioned by her father, the nephew of the Earl of Mansfield, and depicts the beautiful and vivacious Belle alongside her cousin, Elizabeth Murray.

The first time I saw this painting was in an art history classroom, accompanied by a story regarding the dehumanization of Africans in the Unites States, and the scores of visiting Americans who were scandalized by this painting. In America and several places in Europe, contemporaneous paintings always depicted people considered Black in subservient positions in relation to people considered White, if they bothered to paint them at all. To raise a bastard daughter of color alongside legitimate heirs was antithetical to American thought.
Dido Belle was raised and educated alongside the other highborn daughters of the household, and remained a favorite of the Earl and her father well into her thirties, after which an advantageous marriage was arranged.
Her position in the Earl’s household supervising the poultry yards was typical for any lady of high birth at the time, but her job overseeing the lord’s correspondence was usually a task reserved for a highly educated male clerk or scribe and is evidence of her importance and elevated rank. She received an allowance of £30 per year, more than any except the heiress herself and a sum unheard of at the time for any illegitimate daughter.
Upon Lord Mansfield’s death in 1788, Belle was furnished with a £500 lump sum in addition to a £100 annuity, as well as a suitable marriage to John Davinier, with whom she had three children. In Mansfield’s will, her status as a free person was carefully confirmed, since many would have been all too happy to divest her of her fortune.
Belle died in 1804 and was interred in St. George’s Fields, the parish to which she and her husband belonged.
My interest in this story was renewed recently when I learned that an upcoming film, Belle (currently in production), will be a dramatized biopic of Dido Elizabeth Belle’s life. The titular role will be played by South African actress Gugu Mbatha-Raw.


[x] [x] [x] [x]
Junio 19 201312·07 am2 845 notas

medievalpoc:

Unknown (formerly att. Johann Zoffany)

Dido Elizabeth Belle

Scotland (1779)

oil on canvas

Scone Palace, Perth (private collection of the Earl of Mansfield)

Although this painting falls outside the usual scope of this blog, it is one of my favorite historical European paintings. Dido Elizabeth Belle was the illegitimate daughter of Admiral Sir John Lindsay and enslaved African woman named Belle.

This painting was most likely commissioned by her father, the nephew of the Earl of Mansfield, and depicts the beautiful and vivacious Belle alongside her cousin, Elizabeth Murray.

image

The first time I saw this painting was in an art history classroom, accompanied by a story regarding the dehumanization of Africans in the Unites States, and the scores of visiting Americans who were scandalized by this painting. In America and several places in Europe, contemporaneous paintings always depicted people considered Black in subservient positions in relation to people considered White, if they bothered to paint them at all. To raise a bastard daughter of color alongside legitimate heirs was antithetical to American thought.

Dido Belle was raised and educated alongside the other highborn daughters of the household, and remained a favorite of the Earl and her father well into her thirties, after which an advantageous marriage was arranged.

Her position in the Earl’s household supervising the poultry yards was typical for any lady of high birth at the time, but her job overseeing the lord’s correspondence was usually a task reserved for a highly educated male clerk or scribe and is evidence of her importance and elevated rank. She received an allowance of £30 per year, more than any except the heiress herself and a sum unheard of at the time for any illegitimate daughter.

Upon Lord Mansfield’s death in 1788, Belle was furnished with a £500 lump sum in addition to a £100 annuity, as well as a suitable marriage to John Davinier, with whom she had three children. In Mansfield’s will, her status as a free person was carefully confirmed, since many would have been all too happy to divest her of her fortune.

Belle died in 1804 and was interred in St. George’s Fields, the parish to which she and her husband belonged.

My interest in this story was renewed recently when I learned that an upcoming film, Belle (currently in production), will be a dramatized biopic of Dido Elizabeth Belle’s life. The titular role will be played by South African actress Gugu Mbatha-Raw.

image

image

[x] [x] [x] [x]

(vía countlessuntruths)

#*-*  
Junio 18 201311·34 pm66 notas

dammitinuyasha:

timetossedmiko:

avengingpeople-huntingthings:

i cNAT STOP LAUG ING

forever reblogging

genius


“You’re an illusion, Mary!” Chris backed farther into the corner. “G-get away!”“My name’s not Mary.” Clarisse’s voice was gentle but really sad. I never knew Clarisse could sound that way. “My name is Clarisse. Remember. Please.”
The Battle of the Labyrinth, page 72
Junio 18 201311·28 pm274 notas

“You’re an illusion, Mary!” Chris backed farther into the corner. “G-get away!”
“My name’s not Mary.” Clarisse’s voice was gentle but really sad. I never knew Clarisse could sound that way. “My name is Clarisse. Remember. Please.”

The Battle of the Labyrinth, page 72

(Fuente: demigods-halfsiblings, vía olympiandemigods)

teamdemigod:

Heroes may not be braver than anyone else. They're just braver 5 minutes longer.
Junio 18 201311·21 pm400 notas

teamdemigod:

Heroes may not be braver than anyone else. They're just braver 5 minutes longer.

(vía olympiandemigods)

the-story-you-all-know:

                                   I wanted to see you!
Junio 18 201310·59 pm34 notas

the-story-you-all-know:

                                   I wanted to see you!

(vía dammitinuyasha)

#;^;   #InuKag   #Inuyasha   #Kagome